Rat Trap as Mise en Abyme: The Levels of meaning in Adoor Gopalakrishnan’s ELIPPATHAYAM (1982)

Karamana Janardanan Nair, Sarada and Jalaja in Elippathayam (1982)
‘Elippathayam’
Karamana Janardanan Nair & B.K. Nair in ‘Elippathayam’
Jalaja in ‘Elippathayam’
‘Elippathayam’
Karamana Janardanan Nair in ‘Elippathayam’
Sarada in ‘Elippathayam’
Jalaja in ‘Elippathayam’
Karamana Janardanan Nair in ‘Elippathayam’
‘Elippathayam’

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