PinnedPolyphony in Time: Narrational Strategy in Adoor Gopalakrishnan’s ‘Anantaram’ (1987) and the Film’s…Facebook link for the abridged version of this essay in 10 slidesJul 16, 20221Jul 16, 20221
Flowers with a Flaming Fragrance: SAGA OF A POET — Soudhamini’s Documentary on the Tamil Poet…Poet, writer, political activist and social reformer, Subramania Bharati engaged himself in so many spheres in a short span of his life…Jul 24Jul 24
A Dialectic on Response to Nature’s Fury — Swarnavel Easwaran’s NAGAPATTINAM: WAVES FROM THE DEEP…Nagapattinam stands out as a documentary that comprehensively captures the multifaceted aftermath of the devastating tsunami.Jul 12Jul 12
Cannes Contender ‘Sunflowers Were the First Ones to Know’ & Beyond: Chidananda S Naik’s Promising…Chidananda S NaikApr 26Apr 26
Taking Stock of Seven Decades of Fostering Film Culture: Musings on V.India’s film society movement mirrors the nation’s own journey, as captured in V. K. Cherian’s comprehensive 2016 book, “India’s Film…Apr 23Apr 23
Memory Recollected With Empathy: Charlotte Wells’s AFTERSUN (2022)On MUBI in March 2023Mar 18, 2023Mar 18, 2023
The Leader in his Labyrinth: Adoor Gopalakrishnan’s MUKHAMUKHAM (1984)Narrative Ambiguity Giving Rise to Multiple InterpretationsJan 22, 2023Jan 22, 2023
A Heady Mix of Cultural context, Polemics and Polyphony: Review of the Book “Locating World Cinema”…“Interpretations of Film as Culture”Jan 6, 2023Jan 6, 2023
60th Anniversary Tribute To “A Perfect Film”: Jean-Luc Godard’s VIVRE SA VIE (1962)Homage to GodardDec 29, 2022Dec 29, 2022